A No-Frills Approach

by Professor Carol on July 5, 2010

Which part of Conference Season 2010 is more fun: experiencing the new conventions or returning to the ones we first visited in 2009?  The answer is “both.”

It’s rewarding to look up and see the families we first met in 2009 who ordered Discovering Music during the pre-publication phase.  That made you co-pioneers with us!

It’s equally fun when the people we chatted with last year walk over to our booth, pick up the course, and say: “Ah-ha, that’s how it came out!  It looks good.  Tell me about it again.”  We are happy to oblige.

Our current mission is to gain the confidence of the new families we meet.  So many parents do recognize the well-established fact that study of the Fine Arts (cultivation of the Right Brain) enhances the academic and spiritual development of a child.  When they spot Discovering Music, they often exclaim: “Where have you been?  We’ve been looking for a course like this for years.”  You can imagine how gratifying that is.

But for students and families who haven’t had direct contact with the Fine Arts, the task is trickier.  Our message is simple: the Fine Arts are not a frill.  But the battle to get the message across has to be waged on several fronts.  It’s a mission many of you share.

Many people see words like “music” and think “extracurricular.”  But the Fine Arts have traditionally been at the core of a well-rounded education, or a true academic education.  The nuts and bolts of history, geography, literature, and technology are the columns that support our multi-media study of the Fine Arts.

In fact, it’s interesting how our corporate name, “Silver Age Music,” gets a reaction very different from my trade name “Professor Carol.”  We borrowed the corporate name from one of my favorite periods of Cultural History, the Russian “Silver Age”—the decades around the turn of the 20th century when artists as varied as Chekhov and Stanislavsky, Stravinsky and Prokofiev, Chagall and Kandinsky fashioned a revolution nearly as far-reaching as the political bomb Lenin unleashed.

But while “The Silver Age,” is a pretty phrase to the ear, it isn’t a well-known cultural description.  (Someone asked me if we were promoting “geriatric music.”)

Meanwhile, the students using Discovering Music seem to like the “Professor Carol” nomenclature.  It’s serious but fun, which is always my goal.  Secondary-school aged students using our curriculum for college prep know that their lives soon will be shaped by a stream of professors, so they’re ready for the term.   The younger kids are comfortable with it too—maybe it strikes their ear as funny.  That’s my best guess.

Speaking of younger students, I love the emails from the elementary-aged kids who connect so strongly with the video component of the course:  “Professor Carol, why do wave your hands so much?”   Or, “Professor Carol, I like the unit on the French king who was so good at dancing [Louis XIV].  Can you do another one like that?” Or, (if they read my bio), “Professor Carol, why do you like goats so much?”

My unruly goats!  That’s a topic for another post.  But let me close this post by thanking each of you who has been a part of this adventure.  Whether actively using the course with your families and co-ops or just following the Circle of Scholars, you have been instrumental in our growth and we thank you.

And we certainly are growing, both in the US and across the globe. (Welcome Australia!)  Much is on tap for fall, and we’ll be telling you about it soon.  Meanwhile, if you haven’t read the posts below, read on.

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Meet Thomas Hampson

by Professor Carol on June 3, 2010

Thomas Hampson.  His name keeps coming up, or, better said, I keep bringing it up.  Sometimes it’s at a workshop called “The Roots of American Music” that I like to give at conferences.  Or maybe I’m simply talking with students who, finishing Unit 16 of Discovering Music, are surprised to learn how seriously our American song tradition ranks alongside of European music.  Regardless of the context, I’m so happy to acquaint people with the name of Thomas Hampson, for he has been a key player in the reemergence of American Song. 

First and foremost, Thomas Hampson is a great singer.  Born in Elkhart, Indiana in 1955, he grew up in Spokane, Washington.  His big breakthrough came in 1981, when he won the enormously competitive Metropolitan Opera Auditions.  He was taken under the wing of conductor Leonard Bernstein, and made some significant recordings with him. 

Hampson has appeared in opera houses all over the world, but in recent years he has turned his energies to homegrown American song repertoire.  He’s been helped in his efforts by the enormous resources of the Library of Congress, which has been preserving America’s cultural treasures since its founding in 1800.   

Ah, the Library of Congress.  My favorite place in the world!  If you’ve never taken the tour, put that on the top of the list the next time you’re in Washington, D.C.  But for the moment, I want to tell you about their initiative called “The American Memory Project.”  Born on the wings of the digital revolution, The American Memory Project has placed massive resources in American arts, culture, and history on line for all to consult. 

In 1997, Mr. Hampson teamed up with the Library of Congress for a project called “I Hear America Singing.”  Along with Librarian of Congress James Billington, and several archivists, he toured the U.S. giving recitals of American song enhanced by a traveling exhibit of American musical treasures (both manuscript and printed).  In 2005, this marvelous concert came to Texas as part of the Van Cliburn Foundation Concert Series.  We were able to woo the archivists out to our old Decatur Courthouse for a spell-binding program. 

And a day or two later, I was thrilled when Mr. Hampson graciously came to the lecture I gave on American song for the Cliburn series.  I’m still weak in the knees remembering what it was like to stand next to Thomas Hampson as his beautiful, booming voice urged the audience to rejoice in the heritage of American song.

Recently, Mr. Hampson launched a fantastic project, the Hampsong Foundation.  Visit this beautiful site to find out virtually anything you want about American song.  Plus, I urge you to explore his recordings of American song, including these three recordings:

Once you hear him sing these American treasures, you’ll never want to be without this music.

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The Convention Whirl

May 10, 2010

A few years ago, buried in term papers in my 2nd-floor office at the Meadows School of the Arts, I couldn’t have imagined spending Spring traveling cross-country for “convention season.”  And yet, here I am, doing just that. 
Without question, the greatest delight is the opportunity to meet with students and parents, both those already taking [...]

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California Bound

April 27, 2010

Wednesday, pre-dawn, we’ll be heading out for the Bay Area Homeschooling Conference – CHEA.  It starts Friday evening at the Santa Clara Convention Center. We’re in booth 405, so do come by and visit.  Also, please join me for two talks on Saturday, May 1st: 

Academic Success, Western Culture, and the Arts 12:10-12:50 p.m.
College Prep Through [...]

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On the Road Again

April 17, 2010

Goodness, it’s been an exciting time.  With the end of the concert season and the beginning of the conference season, it’s hard to know which way is up.
First, let me greet all of you who are new to the Circle of Scholars, especially the wonderful folks I met at the Catholic Homeschooling Conference in St. Louis [...]

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Off and Running

March 24, 2010

Tomorrow it starts in earnest—the 2010 Conference season!  We’re off to St. Louis for SLHC, followed two weeks later by the mammoth Midwest Conference in Cincinnati, and then the Bay Area conference in California.  And that’s just March and April.
Educational conferences have the greatest energy—so many kids and parents, interesting vendors, a lot of good [...]

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Sammy Nestico, I Love You

March 15, 2010

Even if I wanted to, I can’t pick up the phone and call Brahms.  Or Bach, or Palestrina.  So imagine how excited I was to grab the phone and call Sammy Nestico!
Mr. Nestico, now 86, is one of the music world’s most congenial figures.  When I reached him, he was about to fly to Germany [...]

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A Story of Music and History

February 25, 2010

We’ve been talking lately a lot about stories here in the Professor Carol office.  Living in a small Cowboy town provides me a with wealth of stories, the same kind of stories I grew up with in the Virginia mountains.  Here, however, the topics involve cattle and hay production, rather than coal mining and mountain [...]

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From Little Acorns

February 15, 2010

T-M-E-A.  The Texas Music Teachers’ Association Annual Convention in San Antonio, Texas (home of the Alamo).  That’s where I spent four days last week, and I simply have to tell you about it.
My head is still spinning.  Thousands of accomplished high-school musicians, their families, plus their band, choir, and orchestra conductors filled the huge Henry [...]

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Caterpillars and Virtuosi

February 4, 2010

The best concerts (films, plays, art exhibits) linger in the mind.  Even the ones you don’t like have value, as you mull over what displeased you.  But when they’re good, they remain in the ear and in the mind.
I heard a provocative concert this week: Canadian-born pianist Marc-André Hamelin. He’s a super virtuoso, which can [...]

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