All Podcasts

Music of the American Spirit 2

April 28, 2007

What’s this program about? Professor Carol discusses the history, customs, and geography of America that inspire our diverse choral music, from Colonial times to the present, emphasizing texts of John Stirling Walker and Eric Johns, tunebooks and hymnals, liturgy, folk song, and spirituals. Works Discussed: Leonard Bernstein: Mass; Aaron Copland: The Tender Land; Randall Thompson: [...]

Share
Read the full article →

Music of the American Spirit

April 18, 2007

What’s this program about? John Gibson’s choral work “Mockingbird Sings” utilizes Native American texts of the Yuma, Zuni, Laguna, and Apache tribes. The title refers to the individual charged with remembering events and traditions and his recounting of this oral history in songs and stories. In this interview, Gibson explains his approach to setting these [...]

Share
Read the full article →

Pulling Out All the Stops

April 9, 2007

What’s this program about? Professor Carol talks with Mary Preston, the resident organist of the Dallas Symphony Orchestra, about the Lay Family Concert Organ. The organ built by C.B. Fisk for the Morton H. Meyerson Symphony Center is one of the finest instruments ever built. Mary Preston joins the Dallas Wind Symphony in a concert [...]

Share
Read the full article →

Programming the Recital

April 4, 2007

What’s this program about? Chopin would have been surprised at the idea of a solo piano recital in a concert hall. Professor Carol talks about the programming of recitals and works of Bach-Busoni, Beethoven, Chopin, and Debussy. Works Discussed: Bach-Busoni Chorale Preludes; Beethoven Sonata No. 21, Opus 53 (“Waldstein”); Chopin Sonata No. 2; Debussy “Children’s [...]

Share
Read the full article →

They All Came to Hollywood

March 6, 2007

What’s this program about? Hollywood is heir to the European musical traditions. The classic films were scored by composers trained in Europe and schooled in the classical traditions and by immigrant composers who escaped Germany after their work was denounced by the Nazis as “degenerate music” (Entartete Musik). Works Discussed: Bernard Herrmann: Psycho, Vertigo; Erich [...]

Share
Read the full article →

Schumann’s Papillons and Fantasy

March 2, 2007

What’s this program about? Professor Carol gives a biography of Schumann’s early years, comparing Schumann’s youthful work Papillons with his later Fantasy in C Major against the backdrop of his courtship of the young pianist Clara Wieck and the emerging Romantic image of the artist. Works Discussed: Schumann: Papillons, Op. 2; Fantasy in C Major, [...]

Share
Read the full article →

Bands of the Battle

March 2, 2007

What’s this program about? Military music inspires the troops, facilitates maneuver, intimidates the enemy, sends signals, marks daily events of camp life, entertains the troops in their leisure time, and comprises an important part of the pageantry and tradition of military life. Works Discussed: Scotland the Brave, Yankee Doodle, Mozart’s Abduction from the Seraglio, Bugle [...]

Share
Read the full article →

Big Band Swing

February 7, 2007

What’s this program about? Carol interviews Dean Bouras, arranger for the Dallas Wind Symphony Big Band concerts, and John Trapani, leader of the John Trapani Big Band about the era, the music, and its popularity today. Works Discussed: Glenn Miller, Count Basie, Duke Ellington, Benny Goodman, Woody Herman, Norman Leyden Where you can find: Big [...]

Share
Read the full article →

One Generation to Another

January 24, 2007

What’s this program about? Student players in the Greater Dallas Youth Orchestra Wind Symphony join the professionals of the Dallas Wind Symphony for a “side by side” concert, featuring music of Dmitri Shostakovich, Paul Hindemith, Donald Grantham, Dan Welcher, and Giovanni Gabrieli. Where you can find: Hindemith: Symphonic Metamorphoses Shostakovich: Symphony No. 5

Share
Read the full article →

Beethoven the Musical Wordsmith

January 23, 2007

What’s this program about? Beethoven sliced and diced his themes, using musical rhetoric that rebelled against the natural melodic style of Mozart and that charted a path into 19th-century Romanticism. Professor Carol uses the Piano Sonata in E-Flat, Op. 31, to show how he did it. Works Discussed: Beethoven: Piano Sonata in E-Flat, Op. 31 [...]

Share
Read the full article →